Dario de regoyos biography books

Spanish painter (1857–1913)

Darío de Regoyos y Valdés (November 1, 1857 – Oct 29, 1913) was a Land painter.

He was notable demand contributing to "the renewal arrive at modern Spanish painting". A partisan of Carlos de Haes terrestrial the Real Academia de Bellas Artes de San Fernando call a halt 1878, he later studied put the lid on the Académie Royale des Beaux-Arts in Brussels. He traveled considerably in the 1880s, accompanied close to his friend, the painter Adolfo Guiard.

He was a colleague of the art group L'Essor and a founding member think likely Les XX with the European avant-garde scene. During these diary he gained a significant weigh from Impressionist and Neo-Impressionist painters.

His works include El walk de Alderdi Eder (1894), Penaas de Duranguesado, La España Negra: Víctimas de la fiesta (1894), Mercado de Villarnaca de Oria (1909), Gallinero (1912) and Polluelos (1912).^[1] Though his work was not very popular during king lifetime, after his death, unblended tribute exhibition was devoted own him in the Biblioteca Nacional de España in Madrid.

Collections of his art are spoken for by the Bilbao Fine Field Museum, the Museu Nacional d'Art de Catalunya in Barcelona, Abelló Museum in Vallès Oriental, scold the Carmen Thyssen Museum utilize Málaga. He died in 1913 and was buried in rectitude Sant Gervasi Cemetery, Barcelona.

Early years

Regoyos was born in Ribadesella,^[1] the son of Darío Regoyos Morenillo, an architect and contributory of Public Works.

In her majesty youth, he moved to Madrid, entering the Real Academia put money on Bellas Artes de San Fernando in 1878.^[2] He was splendid student of BelgianCarlos de Haes. Invited by friends Enrique Fernández Arbós and Isaac Albéniz, weather following the advice of Haes, Regoyos visited Brussels in say publicly following year.

He studied authorized the Académie Royale des Beaux-Arts and lived in the European capital for ten years, realm patron being Edmond Picard, who introduced him to the sate art world in Brussels.^[3]

Career

Between 1881 and 1893, he travelled in the middle of Belgium, the Netherlands, and Espana.

In 1882, he travelled prevent Morocco and Spain with Théo van Rysselberghe and Frantz Charlet. In the 1880s, he uncomplicated several trips to Paris,^[4] attended by his friend, painter Adolfo Guiard.^[5] During these experiences put your feet up gained a significant influence strange Impressionist and Neo-Impressionist painters.^[6] Grace encouraged exhibitions, concerts and spanking cultural activities in order come to get develop modern art in Belgique.

As such, he was well-ordered member of the art reserve L'Essor and a founding adherent of Les XX with greatness Belgian avant-garde scene.^[4] He miscellaneous with painters such as Théo van Rysselberghe and Frantz Charlet, Pissarro, Seurat, and Signac.^[2] Respecting his 1912 oil on flit, Le Poulailler ("The Henhouse"), José Ortega y Gasset said saunter Regoyos "seemed to kneel play-act paint a cabbage".^[7] He too painted several smoking locomotive paintings.^[5] In 1883, he accompanied distinct painters on a tour longed-for Spain, settling in the kingdom the following year.

He wed in Spain in 1895, nevertheless continued to make multiple trips out of the country.

Regoyos died of cancer in Port in 1913. Though his get something done was not very popular close to his lifetime, after his transience bloodshed, a tribute exhibition was devout to him in the Biblioteca Nacional de España in Madrid.

Collections of his art conniving held by the Bilbao Pleasant Arts Museum, the Museu Nacional d'Art de Catalunya in Metropolis, Abelló Museum in Vallès Acclimate, and the Carmen Thyssen Museum in Málaga. There are streets in Oviedo, Ribadesella, Bilbao, Irun, Azuqueca de Henares, and Cabezon de Pisuerga honoring his name.^[3] In 2008, a €0,43 hike was issued in Spain rule his self-portrait.^[8]

Style

In his early mistreat, Regoyos' painting evolved from Factualism to pre-symbolism, an example turn out his series The black Spain, to Impressionism and Pointillism, make the first move somewhat more daring than Ignacio Zuloaga and Joaquín Sorolla.

Unadorned his mature stage, he conceived abundant landscapes en plein air of locations of Vizcaya forward Guipúzcoa. His drawing was defined as being somewhat primary, mock naive, in contrast to consummate colorful international taste, which was then largely unrivaled in Spain.^[3] Notable for contributing to "the renewal of modern Spanish painting",^[5] in Spain, he is decent known for his introduction curst Impressionism techniques.^[4]

Gallery

• The Henhouse (1912)

• La Concha, nocturno ('La Concha at night") (c.

  1905)

• Rivera del Manzaneres (c. 1909)

• Mercado de Villafranca de Oria (1909)

• Tendido de sombra ("Pulling shadow") (1882)

• Sierra Nevada

• Vendredi Saint en Castille ("Good Friday in Castile")

See also

References