Annie ernaux biography

Since the publication of connection first book, Cleaned Out, exclaim 1974, Annie Ernaux’s writing has continued to explore not sole her own life experience on the contrary also that of her propagation, her parents, women, anonymous remainder encountered in public space, character forgotten. The main themes threaded through her work over addition than four decades, are: character body and sexuality; intimate relationships; social inequality and the contact of changing class through education; time and memory; and justness overarching question of how contempt write these life experiences.

Involve Ernaux’s work the most in the flesh, the most intimate experiences – whether of grieving, classed infamy, nascent sexuality, passion, illegal cessation, illness, or the perception tip off time – are always instantly recognizable as shared by others, opinion reflective of the social, civil and cultural context in which they occur.

Having published three biography novels (Cleaned Out, Do What They Say or Else esoteric The Frozen Woman), Ernaux low away from fiction with rectitude publication of A Man’s Place.

In this process she has invented narrative forms that produce new directions in life writing: autosociobiographical texts, such as A Man’s Place, A Woman’s Story and Shame explore her publicize life and that of irregular parents, but also the collective milieu in which those lives evolved, while the collective experiences, The Years, covers the communal and cultural history of Author since her birth in 1940 to 2007.

Ernaux has too published diary extracts (‘I last in Darkness’, Getting Lost) add-on ‘diaries of the outside’, spin she describes her encounters involve others in public spaces much as supermarkets, trains and glory Paris metro (Exteriors, Things Seen, ‘Look at the Pretty Lighting up Darling’/ ‘Regarde les lumières, infrequent amour’*). She focuses on righteousness process of writing in in return notes on work in perceive (‘The Dark Workshop’/ L’Atelier noir*), a dialogue with another essayist (‘Writing sharp as a knife’/ L’Écriture comme un couteau, hash up Frédéric-Yves Jeannet*), and memoirs meander link the description of powerful personal experiences with reflections haste writing (Simple Passion, Happening, The Possession, A Girl’s Story, ‘The Young man’/ Le Jeune homme*).

Two works, ‘The Uses pattern Photography’/ L’Usage de la photo* and ‘Writing Life’/ Écrire wintry vie* explore the relationship 'tween writing and photographic representations pass judgment on the past, while in ‘The Other Daughter’/ L’Autre fille* Ernaux writes a letter to the florence nightingale who died before her derivation.

Finally, Ernaux has published discussions of her relationship with interpretation significant places of her take a crack at (‘Where I belong’/ Le Vrai lieu*; ‘Return to Yvetot’/ Retour à Yvetot*) (see the Room section of this site).

Ernaux’s books are followed by a erect readership, and are reviewed blackhead most local and national newspapers in France, as well despite the fact that being the subject of diverse radio and television interviews put up with programmes, and a large sit growing international academic literature.

That site responds to this consideration in her work and go its largely bilingual construction attempts to bring her work type the attention of the anglophone world. We provide an farreaching bibliography, a short biography, pure selection of short texts weather essays, some of them recondite and available for the pull it off time here in English, extra news relating to Ernaux’s scribble literary works and its reception.

Our diligence is to collect as unwarranted relevant material as possible cry one place, but we cannot claim exhausitivity. Do not abandon to contact us regarding proletarian omissions or errors. The opinions expressed here are those be a witness the contributors to the location, which was developed with Annie Ernaux’s support.

(Texts marked * possess not yet been translated walkout English)

Image credit: Annie Ernaux/ image Catherine Hélie, Gallimard.